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"Perry has obtained solid work from her design team, beginning with David L. Arsenault's set, which lays out two playing areas divided by two walls in a V-shaped arrangement, one of which serves as an occasional projection surface for images of currency and flames, as well as a final collage of what looks like student art projects. Arsenault's lighting also confidently carves out different spaces and creates a distinctly different, more theatrical look for Bekka's performances."
Lighting and Sound America
"The set by David L. Arsenault is compact and combines revolution set in a staid world."
Berkshire Fine Arts