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"When there are set pieces brought in for a scene, they magically appear on stage without hesitation or pause and with no disturbance to the eye. Scenic designer, David L. Arsenault, scores a hit for creating such a delight for the eye within the confines of the Ogunquit stage."
"The identification of the effects of Nazism in Paris during the war is made evident early on through the expert set design by David L. Arsenault and projection design by Elaine J. McCarthy..."
Boston Arts Diary
"David Arsenault’s set design is quite an eyeful..."