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"The two productions also share an interesting use of mirrors, representing questions about identity and outward presentation. The set by David L. Arsenault consists of a platform completely covered in panels of mirrors with a floating mirrored ceiling. In After Life, the characters are nearly sandwiched in their own reflections raising captivating questions about sense of self."
"David L. Arsenault’s set is simple, functional, and evocative. While the singers are elevated to, figuratively speaking, a heavenly height...a mirrored ceiling directly above the platform allows us to see them in reverse angle, offering the audience a different, off-kilter perspective..."